Happy Halloween

Time was, Halloween wasn't about dressing like whatever superhero/-villain was popular that summer (guys) or as Slutty Cat/Nurse/Freddy Krueger (girls). Then again, some options are far, far worse. And sick. And five kinds of wrong.



(I think I need to put bleach in my eyes now.)

I love Halloween -- candy! Dress-up! Spooky stories!-- but haven't had much call to dress up in recent years. Growing up a book- and movies-obsessed kid with a mom who's a skilled and imaginative (not to mention patient) seamstress led to amazing costumes, which in retrospect were a little odd. What seven year old girl wants to be a Can Can Dancer? At least it made a change from the procession of fairies, princesses, and fairy princesses that I also went as for much of my kidhood.

But probably my childhood favorite was a Wonder Woman costume made of swimsuit material that then had a second life the following summer as a bathing suit. Dad made me the tiara and bracelets out of cardboard covered with gold contact paper. It was teh awesomez.

As an adult I went through a pretentious, too-clever phase that included going as the Stock Crash of 1929, which consisted of a black flapper dress accessorized with a 20's-style headpiece and boa made from the stock pages from the newspaper. A friend and I went as Death and Destruction one year in college, costumes that were utterly indistinguishable from our normal goth-girl outfits except for more makeup and temporary hair dye. I went once as Crazy Jane from Grant Morrison's run of Doom Patrol, and you get warm comic book fuzzies from me if you know what the hell I'm even talking about.

Halloween usually sneaks up on me, so I don't really plan like I did when I was a kid. I have a lot of vintage clothing, so I can usually pull together a Rosie the Riveter or Random Swingdancer pretty easily. I also still have my stage makeup box from my theater days so I can do Undead Swingdancer or Rosie the Riveter with the Plague. An easy and comfortable costume one year was Suburban Vampire Victim: pajamas, robe, hair in curlers-- and dead-white makeup with bloody neck punctures.

What's your favorite Halloween costume? Past or present, worn or seen, doesn't matter.

And if you say creepy full-body Papa Bear suit, I am SO calling the police.

EDIT: Fixed the Krueger spelling...

MADness

Nikki Finke is reporting that Lionsgate is shopping around for a showrunner to replace Matthew Weiner on MAD MEN. Lordy.

If a Sexy Vampire Can't Survive, No One Can

Appropriately enough for Halloween week, the CBS Friday 9pm Death Slot has claimed another victim: the network's yanked THE EX LIST from the schedule.

Let the MOONLIGHT fan I-told-you-so's begin.

EDIT: Just to clarify, I'm sad when any show gets canceled. So much time and sweat and vision goes into everything you see on TV -- yes, really -- and add that to the straight-up economic and psychological suckiness of getting laid off, and it's happy times for no one.

My comments are more about the vagaries of this season and the mysterious and often harsh alchemy of network programming. There's nothing to say that MOONLIGHT would've fared any better.

I Love Halloween Except For Crap Like This

"Sexy Miss Kruger"?

Are you fucking kidding me?

Truthful Title Cards

Some Friday fun for you.



More, courtesy of Glark.org.

Your Life Sucks! Come to Australia!

WTF, Baz Luhrmann?



Tourism FAIL.

Fall TV Ups and Downs

The Live Feed has compiled a list of the fall shows with the biggest gains and losses in viewership so far:

Gainers

1. CW SUPERNATURAL 1.2 to 1.7 = 42%
2. CBS CRIMINAL MINDS 3.5 to 4.7 = 34%
3. CBS HOW I MET YOUR MOTHER 3.3 to 4.0 = 21%
4. CBS CSI: MIAMI 4.6 to 5.2 = 13%
5. CBS NCIS 3.2 to 3.6 = 13%
6. CBS TWO AND A HALF MEN 4.8 to 5.3 = 10%
7. CBS CSI: NY 3.7 to 4.0 = 8%
8. CW GOSSIP GIRL 1.6 to 1.7 = 6%
9. CW ONE TREE HILL 1.6 to 1.7 = 6%
10. FOX AMERICAN DAD 3.1 to 3.2 = 3%

Droppers

1. ABC PUSHING DAISIES 4.4 to 2.0 = -55%
2. FOX TERMINATOR 4.2 to 2.4 = -43%
3. FOX DON'T FORGET THE LYRICS 2.9 to 1.7 = -41%
4. CBS WITHOUT A TRACE 4.7 to 2.8 = -40%
5. CBS OLD CHRISTINE 3.2 to 2.1 = -34%
6. ABC DIRTY SEXY MONEY 3.6 to 2.4 = -33%
7. CW AMERICA'S TOP MODEL 2.5 to 1.7 = -32%
8. FOX SMARTER THAN 5TH GRADER 2.5 to 1.7 = -32%
9. NBC HEROES 7.3 to 5.0 = -32%
10. NBC MY NAME IS EARL 3.8 to 2.7 = -29%

Not sure if there are any trends to be discerned there -- although I am happy to see reality shows taking a tumble -- but time will tell.

The Circle of Life, TV-Style

Turn on the TV and you'll see MOONLIGHT recycled all over the place.

COLD CASE's premiere on Sunday featured a double shot of MOONLIGHT guest stars, the chancellor of Hearst College from "Sonata" and Mick's WWII buddy Ray from "What's Left Behind."

Doing better yet are the smug promoter from "Black Crystal" and the doomed starlet from "Click," who have guest arcs as Jimmy Barrett and "new girl" Jane respectively on MAD MEN.

And what should I see on the CHUCK premiere tonight, in the Chinese restaurant where Chuck has his first date with Sarah, but the cut-out wood screens from Mick's apartment. The actual screens-- both shows are from Warner Bros.

Sigh. Well, at least we're green...

Paul Newman

Has died. He left quite a legacy, in his films and public works.

In his memory, watch one of his movies with a bag of Newman's Own cookies, why dontcha? Or eat fifty eggs. Your call.

No Rest for the Wicked

With delight, I see DEXTER on my TiVo's to-do list for Sunday, September 28! The hardest working serial killer in showbiz is back!

Now I just hope that they don't kill my spec by going down the same story roads I did...

EDIT: Crap. Just saw in a blurb in Entertainment Weekly that they did/are going to. Probably on Sunday. Gah.

Recalculating... Recalculating...

If you've ever used one of those GPS devices like the Garmin, you know recalculating. This is what the GPS lady voice (my parents call her Mrs. Garmin, which I love) says when you veer from the path she's plotted for you, say because you encounter traffic or know a better route yourself.

The voice recording for "Recalculating..." has this hilarious (to me, anyway), faint tinge of disappointment mixed with resignation, as if Mrs. Garmin's thinking, "Okay, pal. I tried. You win." Ultimately she's gotta suck it up and recalculate a new route, because, after all, you're the one driving the fucking car.

Tomorrow will mark the 5 month anniversary of my last paid day as a writer on MOONLIGHT. The show got its walking papers from CBS a few weeks later. It's been a busy summer full of good meetings and pep talks with Los Agentes and El Managero, but as of today I'm still unstaffed. You know how you keep hearing that it's tough out there right now? It's tough out there.

In an effort to cheer me up, the Boyfriend said to me recently, "Right now you're doing pretty much every kind of writing you can do, except being on the staff of a TV show."

He meant this as a good thing.

And it is. Here's what I've been working on during my summer "vacation":

Spec feature

Spec graphic novel

Story areas for 12 episodes to accompany my spec pilot

Pitch for an hourlong TV show

Pitch for a half-hour single-camera TV show

Pitch for a direct to DVD movie

Prep for a young adult novel

And that's not even counting game design consulting gigs and truly nutty stuff. Monday I sent one of my plays to a local theater that has a new works staged reading series. Today I mailed a short story to my college alumni magazine's annual fiction contest. Then, on a whim, I sent it to The New Yorker too. Why the hell not?

Back to the list. Apart from the first two, these opportunities are for real companies, and could lead to real jobs with real money attached. Of course, most if not all will fall through despite my work on them to date, because this is the real world. In a grumpier moment earlier this week, I was feeling like that girl in high school who all the guys wanted to grope behind the bleachers but wouldn't ask to prom.

I may not get asked to Hollywood prom for any of that stuff, but it won't be for lack of trying. And I'm still working to get staffed on a show, maybe for midseason, maybe next spring. In the meantime I'm enjoying the chance to stretch creatively and keep my writing muscles exercised.

Enough about me. What does this mean for you?

If you're getting thwarted on your main path, try something else. Recalculate.

At a number of events this summer I met all kinds of talented writers, many of whom unfortunately are also "between projects" or "working on their own stuff," code for being out of work. Everybody, working or not, has stressed the importance of diversifying.

Writers write. Shoot that short film and put it on YouTube. Write that play. Take that class in writing comic books. You may know where you want to go, but be open to trying a new way to get there. Isn't that better than being stuck in traffic?

Sure, there may be some disappointment. Get through that and the resignation so you can blaze a new trail to your goal. Because you're the one driving the fucking car.

Ahoy!

It's Talk Like a Pirate Day, matey!

Be sure to get your Arrr on. 'Cause, you know, why not.

Frakkin' Cool

The cast and crew of BATTLESTAR GALACTICA received a gorgeous coffee table-style memory book at the series wrap party, and Cinemaspy has posted a peek inside.

Once More, With Avatars

Not sure how I missed this, but earlier this week in his keynote at the Virtual Worlds Conference right here in LA, Jon Landau announced the development by Multiverse of a Buffy the Vampire Slayer MMO. Also in development is an "interactive learning experience" based on James Cameron's Titanic footage, while a Firefly MMO has been postponed.

Adds! We Got Adds!

Adds, in MMO-speak, are additional enemies that attack you when you're already fighting.

I'm still plowing through summer TV, battling recorded episodes of THE CLOSER, BURN NOTICE, PROJECT RUNWAY, even MAD MEN, and here come the fall's fresh new premieres, sneaking onto the TiVo through their season passes that I recorded and forgot about weeks, even months ago.

FRINGE! SARAH CONNOR CHRONICLES! THE SHIELD! TRUE BLOOD! ENTOURAGE! Ack! Medic!

Where's that AoE/DoT when I need it?

Sublime Primetime Coming 9/17

A heads-up that Sublime Primetime, the Writers Guild Foundation's annual Emmy nominee event, is two weeks away, Wednesday Sept. 17 at 7:30pm at the WGA Theater in Beverly Hills.

The guests so far include:

Kirk Ellis, JOHN ADAMS
Bryan Fuller, PUSHING DAISIES
Danny Strong, RECOUNT
Matthew Weiner & Robin Veith, MAD MEN

...with Emmy and Humanitas winner Larry Wilmore (THE OFFICE, THE BERNIE MAC SHOW) moderating. All that plus dessert and wine included! It typically sells out, so get your tickets soon.

Why TV?

BooM over at Wannabetvwriter is asking the telescribosphere why they write for TV. A worthy question!

I came to TV writing with a background in playwriting and designing videogames. I'm currently working on a comic book and a feature. Creating fictional worlds is what drives me, and happily, bizarrely, is something people have paid me to do (sometimes), when I would readily pay them to do it if I had the dosh.

A quick digression from the Why to When. One of the games I worked on, MAJESTIC for Electronic Arts, was episodic. We had a writers room, just like a TV show. We even got canceled after 4 episodes, just like a TV show.

One of the game writers was a talented woman who had worked on BEVERLY HILLS 90210 and MELROSE PLACE as well as movies and numerous interactive projects before and since. She became a mentor and a good friend, and encouraged me to think about TV writing should I ever find myself in LA.

As it happens, a later game job brought me to LA. I started writing TV scripts, sent one to the Warner Bros. TV Drama Writers Workshop, got in, and got staffed. I'm so grateful to the people who took a chance on me. It still feels unreal.

Back to the Why.

Stories come in all shapes and sizes, and it so happens that a lot of the richest storytelling can happen in TV, when you live with characters week after week and experience how they evolve and surprise over time.

There's something very intimate and compelling about how these stories unfold in your home. I was in tears during the season 1 finale of MAD MEN. Is it any wonder that fandom emerges around TV shows the way it rarely does for movies?

A key element to TV writing is its collaborative nature, unlike writing a novel or poetry. I love the mix of cooperative and individual creation that takes place on a TV staff, everyone working through ideas to craft the best story possible, then the writer going off and writing the script.

And, it's a shitload of hard, mentally exhausting work, but really really really fun.


The below can consider themselves tagged, although I doubt more than a couple even read my blog:

Alex Epstein
Shawna Benson
Ken Levine
Jane Espenson
And... BooM! What? She didn't say no tagbacks.

Does Shonda Know?

This has been bugging me for a while. You know the title card for PRIVATE PRACTICE? This one?


The image itself annoys me, because I think a successful series spun off from a massively successful one deserves better than a 20-minute Photoshop collage of an improbably toned female torso and clip art of a Santa Monica beach.

But that little building above the belly button? That's not a lifeguard station or a café or a quaint shack where you can rent rollerblades, although there are plenty of all of those along the bike path.

That little building is a public restroom. An oft-used one.

And last week while I was out running along that very path, some Parks and Rec employees were by the outdoor shower, above Miss Torso's bony right hip, baffled about what to do with the half-naked person passed out drunk in the sand.


At least, I hope he was drunk.

And he wasn't naked on his top half.

Next Stop, Cylons

Scientists in Britain have created a robot controlled by a brain of cultured neurons:

“The robot’s biological brain is made up of cultured neurons which are placed onto a multi electrode array (MEA). The MEA is a dish with approximately 60 electrodes which pick up the electrical signals generated by the cells. This is then used to drive the movement of the robot. Every time the robot nears an object, signals are directed to stimulate the brain by means of the electrodes. In response, the brain’s output is used to drive the wheels of the robot, left and right, so that it moves around in an attempt to avoid hitting objects. The robot has no additional control from a human or a computer, its sole means of control is from its own brain.”

Wow.

A Title Perhaps Too Apt

Electronic Arts is partnering with the For Dummies series to develop games that... teach you to play games. Poker, Sudoku, Solitaire, "brain-training" games.

Isn't a game that teaches you to play poker, um, poker?